Mário Rui Silva | Cinema
A place with experimentation and creative stuff of Mário Rui Silva. The main themes are cultural heritage, memories, exploration of hacking and recycling.
Mário Rui Silva, Mário Silva, Digital Media, Digital Design, Media Design, Graphic Design, Digital Marketing, Digital Strategist, Digital Stuff, Design Gráfico, Design Multimédia, Design Digital, Marketing Digital, Movies, Cinema, Photography
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Cinema

Saul Bass evolutionized the way that people viewed movie titles by using the time to not just display the information but give a short visual metaphor or story that intrigued the viewer....

Atomic Blonde is an amazing film if you love the 80's, action movies, spy films, strong female characters, lesbians, mini skirts, boots, Charlize Theron, James McAvoy, neon lights, Eurythmics, New Order, and a lot of 80's music covers....

It was on May 5, 2002, that the first Spider-Man movie premiered. In other words, today marks 20 years since the cinematic debut of this Marvel character. This foray into cinemas was a great success, which has already led to several sequels and two reboots...

The whole film is a guilty pleasure. For many it's considered one of the worst 007 films, and although disagree, I have to accept that it is far from being one of the best...

A few months ago, I was contacted by a French journalist, from ARTE TV, to participate in a documentary about director Manoel de Oliveira and his relationship with Douro. As some of you may already know, a few years ago, I did a research project related...

I love teaser trailers. The current trailers almost tell the whole plot of the movie. A teaser trailer can spotlight the promise of a high concept idea and can act as a poem for a more complicated film. I love when a teaser trailer can...

Launched in 1982, Tron entered the history of cinema by becoming the first film to use widely computer-generated effects, either in virtually completely conceived scenes or in sequences that combined digital scenarios and real-life actors. His script could be better, but the spectators of the...

In the transition between the forties and fifties of the twentieth century, over a period of inactivity as a film director, Manoel de Oliveira goes to the Douro Wine region. In this place, the director re-evaluates and thinks the cinema. During this period, Manoel de...

The legend says that the family "Famalião" began using a waypoint to explore the "fatigue of hikers resting in his tent." Over time, the tent was modernized and Famalicão became a transit point for hikers, to an important communications center between the main towns and...

It's interesting that the city of Manoel de Oliveira, was the city that saw the birth of cinema in Portugal. Porto was the birthplace of the Portuguese cinema, where the photographer Aurelio Paz dos Reis shows the first film projection in Portugal, on the night...